Skip to main content
All Project Resources
50 resources. Showing results 31 through 40.
Uploaded Review of Il latino di Dante (Scartoni)
Federica Coluzzi, "Dante versus Beatrice: Feminist Approaches to the 1865-1890 Centenaries"
Heather Webb, "A Non-Italian Dante in 2021: Senegal, U.S.A., U.K."
Daragh O'Connell, "Kicking with the Other Foot: Dante in Ireland, between Sectarianism and Nationalism"
Sonia Fanucchi, “Trasumanar”: Rewriting Francesca and communal approaches to reading in the South African Dante society
Figure 7. Jasper Johns, Black Target, 1959, oil and collage on canvas. Image via Weiss, Jasper Johns: An Allegory on Painting, 1955-1965, 82.
Figure 6. Robert Rauschenberg, Canto XXI: the Central Pit of Malebolge, the Giants, from XXXIV Drawings for Dante’s Inferno, 1958-1960, solvent transfer drawing, pencil, gouache, and colored pencil on paper, 14 ½ x 11 ½ inches. Mu-seum of Modern Art, New York. Image via Artstor.
Figure 5. Jasper Johns, Target, 1958, oil and collage on canvas. National Gallery of Art, Washington, Collection of the Artists. Image via Weiss, Jasper Johns: An Alle-gory on Painting, 1955-1965, 75.
Figure 4. Jasper Johns, Target with Plaster Casts, 1955, oil and collage on canvas and wood with objects, 52 x 44 ½ inches. Leo Castelli Gallery, New York. Image via Artstor.