By the early nineteenth century, the only model for paid nursing in the United States was one characterized by low wages and low status. While republican ideology held that nursing should ideally be performed for free by women within their own households, those who worked as hired nurses faced renewed moral suspicion. Popular culture reinforced these negative perceptions through literary and print caricatures that portrayed hired nurses as lazy, drunk, promiscuous, and unskilled. These depictions, often originating from Britain, shaped attitudes toward nurses on both sides of the Atlantic. These representations both reflected and reinforced societal prejudices, creating a cycle where only women with few other options turned to nursing, which in turn only fueled these stereotypes of nursing.
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N. Heideloff, after T. Rowlandson, “A convalescing woman trying in vain to rouse her slumbering hired nurse: the cat scavenges her food and the candle sets light to the carpet,” colored etching (1807). Source: Wellcome Collection.
Thomas Rowlandson (1756-1827), “The Drunken Nurse,” watercolor, pen and black ink, and graphite (undated). Source: Yale Center for British Art, Paul Mellon Collection.
Thomas Rowlandson (1756-1827), “Careless Attention,” hand-colored etching (1 February 1789). Source: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959, Metropolitan Museum of Art, New York.
Illustration of Sara Gamp from Charles Dickens, Martin Chuzzlewit. Included in A series of character sketches from Charles Dickens, Philadelphia, PA (1888?). Source: Frederick Barnard and Reece Marriner Oberteuffer Dickens Collection, Kislak Center for Special Collections, University of Pennsylvania.